翻訳と辞書
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・ Madonna with Beardless St. Joseph (Raphael)
・ Madonna with Child (Crivelli)
・ Madonna with Child and Saints
・ Madonna with Child and Saints (Filippino Lippi)
・ Madonna with Child and Saints (Pontormo)
・ Madonna with Child and six Angels (Duccio)
・ Madonna with Child between Sts. Flavian and Onuphrius
・ Madonna with Child Enthroned between Saints John the Baptist and Sebastian
・ Madonna with Child with Young John the Baptist (Cranach)
・ Madonna with Sts John the Baptist and Donatus (Verrocchio)
・ Madonna with the Blue Diadem
・ Madonna and Child and Two Angels (Botticelli)
・ Madonna and Child Enthroned (Filippo Lippi)
・ Madonna and Child Enthroned with Saints (Raphael)
・ Madonna and Child Playing with the Veil
Madonna and Child with a Donor (van Eyck)
・ Madonna and Child with an Angel (Botticelli)
・ Madonna and Child with Saints (Signorelli, Arezzo)
・ Madonna and Child with Saints Luke and Catherine of Alexandria
・ Madonna and Child with saints polyptych (Duccio)
・ Madonna and Child with St. Anne (Dei Palafrenieri)
・ Madonna and Child with St. John the Baptist and St. Mary Magdalene
・ Madonna and Child with the Book
・ Madonna and Child with Two Donors (van Dyck)
・ Madonna as a gay icon
・ Madonna at the Fountain
・ Madonna bibliography
・ Madonna Blyth
・ Madonna Buder
・ Madonna Catholic Secondary School


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Madonna and Child with a Donor (van Eyck) : ウィキペディア英語版
Madonna and Child with a Donor (van Eyck)

''Madonna and Child with a Donor '' (or the ''Maelbeke Madonna'') was a large but now lost hinged triptych attributed to Jan van Eyck, thought to have been completed late in his career, perhaps his final work. It is known today through a replica dating to 1757-60, and several near contemporary silverpoint copies, one by Petrus Christus or his workshop c. 1445 in Vienna, and another by an unknown artist, probably a member of his workshop, which is now in the Germanisches Nationalmuseum in Nuremberg. The original was commissioned by Nicolas Maelbeke for the Saint Martin monastery in Ypres where it was installed in 1445.〔Ainsworth, 182〕 That the donor is present in the central panel is unusual; typically in mid 15th century triptychs he or she would be in an accompanying wing.
The drawings are perfunctory copies of the type routinely carried out by workshop assistants, who were presumably recording the design for later full oil panels.
In the 18th century copy, the virgin stands in a cathedral with a vaulted ceiling dressed in a scarlet mantle. She holds the Christ Child in her arms as the donor Nicolas Maelbeke kneels before her. He wears a richly embroidered green cope and holds a book of hours in his right hand and a scepter in his left. The wing panels contain scenes related to the Immaculate Conception, including representations of the burning bush, Gideon, Ezekiel and Aaron's rod. When closed, the 18th century copy's exterior wings show a grisaille depiction of the vision of Ara Coeli.〔Van Puyvelde, 2〕
==Notes==


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